I like making things, designing things, planning things and building things. I love learning how things work and why they work.
In an ideal world, I would be building or renovating houses hands-on. For the present, the things I’m making are on a smaller scale: sewing vintage patterns and pattern drafting, cooking, and making other objects such as hypertufa planter pots. All this involves analytical thinking, good spatial orientation, and enjoying puzzles and the subtle variations that result. Enjoying the process is the important thing. This doesn’t mean that I, or we, are experts at it – doing it and having fun is the point.
I’d love to see what you are working on too. Happy trails!
F E A T U R E D P R O J E C T S
Two 1958 Sheath Dresses: Advance 8617
Here are two sheath dresses I made from a vintage 1958 pattern, Advance 8617. The yellow “tropical dress” has kimono sleeves and the fitting is more relaxed in general, and I think it is better for it. The blue dress has gussets in the sleeves and a more fitted bodice. The original 1958 pattern was much too big and I re-sized it to my size. My weight has shifted slightly since cutting the pattern, so the fit was no longer perfect, a good learning experience for the next dress. (Don’t wait 8 months between cutting and sewing!) I ended up taking in the bodice side seams a little and lengthening the darts slightly.
What I found in the test run with this pattern: This dress is best in a very lightweight cloth with good drape, especially silk, chiffon or rayon. The pattern is more roomy than expected, leaving space to take it in or let it out later.
The inspiration was Joan’s dress from the accordion scene in Season 3, Episode 3 of Mad Men, see photo below. But obviously I am not shaped like Joan, and few people are.
Tropical dress – I imagine myself wearing this dress lounging on a warm and breezy veranda sipping hibiscus cooler. Since I’d be lounging, who needs a belt?! So I set aside the belt hardware and I did not make the self-fabric belt.
Blue dress – I like the shorter sleeves and the more fitted upper body, but the extra time to do the gussets was not really worth it. Short cap sleeves or very short kimono sleeves might look just as nice and save a lot of time.
Technical alteration details:
Both of these dresses are test-runs (wearable muslins) of each view before I purchased more expensive silk or rayon. What I changed:
– To re-size the pattern down, I took a total of 4 inches out of the pattern, with a 1 inch vertical tuck in all pattern pieces, through the shoulder to waist to hem. This did not reduce the neckline.
– I shortened the back waist length by 1 inch in the blue dress and 1.5 inches in the yellow dress.
– I lengthened the bust darts by 1.5 inches and lengthened the skirt darts by 1.25 inches
– I reduced all skirt seams to half an inch.
Specific fitting issues:
My back waist length is about an inch short compared to most “standard body” measurements, so I always shorten patterns in the upper torso. Also I usually use a pattern with a bust measure that is two to four inches smaller than my actual bust measure. I do this since my ribcage, back, arms and shoulders are smaller than average compared to “standard body” measurements. I need for these critical areas to be fitted; I expand out the other areas that need it. It makes more sense to expand out one area than take in four hard-to-fit areas. Otherwise I’m swimming in the bodice even through the chest measure is correct.
Here is Joan, below, in the accordion scene in Season 3, Episode 3 of Mad Men. I would like to make this dress in a slinky black cloth, except with red stars around the neckline instead of red roses.
What I found:
This pattern allows a lot of ease. Even though I took the pattern in to a bust measurement that was an inch smaller than my actual bust measurement, as you can see, it is still quite loose in the bust. If I wanted it to look like Joan’s dress, I would have to take in the bodice much more all around.
View 3, with the square neckline, has a huge neckline! It is barely off the shoulders. While I wanted an open and tropical look, this is just too open. In retrospect, I know that I should have fitted the shoulders to my narrow shoulders, which would have also solved the too-big neckline. Or, I could have just taken in the neckline by a couple of inches.
In the first dress (blue), I shortened the back waist length by an inch, but that was not enough even though the measurements should have been correct. So in the second dress (yellow), I shortened the back waist length by 1.5 inches.
No surprise, my upper body is smaller than the lower body. I fixed this simply by reducing all skirt seams to half an inch or less, which adds a total of five eighths of an inch + around the hips. (The skirt had already been taken in 4 inches when it was re-sized become my size.)
I could have had a more detailed approach to sizing down the pattern, but since the sleeves and shoulders were loosely fitted, I thought the vertical tucks in the pattern would work out fine, and they did.
I will make this dress again, however I will not wear it to an event where I plan to eat a lot (!), because it is fitted in the midsection. This dress is best in a cloth with a nice drape and a slight stretch, and I will certainly make the square neckline smaller so that it stays on my shoulders.
Lunchbox Laser Shows, From Vol. 20 of Make Magazine
“Build three different laser effects machines that fit into metal lunch boxes to create exciting sound and light shows.” By Mike Gould, of Make Magazine, Vol. 20.
Western Spinster Magazine: These small devices project multi colored lights onto a ceiling or wall, moving gracefully in hypnotic patterns. One is designed to move to the music you are playing from the sound waves of that music. Sounds magnificent! Western Spinster Magazine Board of Directors are currently collaborating on the “Lumia” and will report back with the results as the project progresses. However, we have reached a roadblock at cutting the plywood to the correct size…
Photos below are from the Make Magazine article by Mike Gould, Sam Murphy. See link below for more photos and information on the project.
Article in Make Magazine, Vol. 20: Short summary, photos, circuit schematic.
Theo Jansen’s Strandbeests – Kinetic Sculptor
Theo Jansen is a kinetic sculptor who makes truly amazing engineered “animals.” Video from Wallace & Gromit’s World of Invention Episode 1 Preview – BBC One.
When will I be able to ride in a wind powered vehicle similar to one of these?